Deep in the woods lived Little Witch, her beloved cat and her mother, Old Witch. One day, the ailing Old Witch finds an ogre caught in a trap. As a reward for saving him, Old Witch strikes a deal with the ogre to take care of her daughter when she is gone. All too soon, Little Witch finds herself living in the ogre’s kingdom. However, when Little Witch encounters the curious Hunter Boy near her new home, the ogre’s appetite takes over. Little Witch, helped by the sage words of her mother, is forced to make a choice: to save the boy, to save herself, or choose another path; a decision that illuminates the power she had within herself all along.
Thin places are locales where the distance between heaven and earth collapses and we’re able to catch a glimpse of the divine. In the last three months, Tracey visited a Level Four maximum security men’s prison in California, and was a delegate on a Compassionate Listening trip to Israel and Palestine. What does hearing thousands of people’s life stories teach you about living? What does it take to truly connect?
Toast to the closing night of Next Stage! Join us before the show in the Steam Whistle Festival Tent for samples of Von Bugle Munich lager, from Steam Whistle’s sister brewery.
Ga Ting weaves a powerful and emotionally-charged story about an immigrant Chinese couple trying to come to terms with the death of their son, Kevin. When they invite Kevin’s Caucasian boyfriend for dinner after the funeral, the evening devolves into a fiery cultural and generational clash. All must question who Kevin was, and who they themselves are.
When you survive the unsurvivable, who do you become? Bridget Walker has written a play about the abduction of her son and it’s a smash hit. Critics are raving, but those closest to her are sent reeling. ‘Cannibal’ explores grief, the cost of sharing your story, and what it means to be indebted to someone you love.
What is life like working with a guide dog? How was that dog raised? Storyteller Kim Kilpatrick, painter Karen Bailey, and director Bronwyn Steinberg vividly document the journey from puppy to working guide dog for the blind. Delving into issues of identity, accessibility, and canine service, this storytelling show incorporates original paintings through video, with audio description and music. Plus, you can’t go wrong with a dog on stage.
Sexy, provocative and fuckin’ funny. Join Lauren, Amanda and musical accompanist Alli in a late night talk show about sex. Think The Tonight Show with Jimmy Fallon, but with one hot lesbian as The Roots, and two rad babes as Jimmy.
This multi-award winning show makes the uncomfortable comfortable. Let’s talk about birds, bees, fetishes, fantasies, ballgags, #metoo, love, bad dates and sex, baby.
Content notes: Lauren & Amanda Do It is a partially improvised talk show about sex. This means that absolutely anything about sex can come up during conversation, including sexual violence, domestic abuse and sexual and gender politics.
This “play about love, sex, and disability” runs the gamut from joyous celebration to unflinching drama as it paints a collective portrait of real-life individuals whose lives have been touched by cerebral palsy. Dan and Christina are parents searching for a way in which their non-verbal son, Bruno, can share his voice. Tony, a non-verbal adult, and Liz, his long-time romantic partner, grapple with the judgments that society makes about their love and sexuality. Questions of representation, the nature of companionship, whether people of different abilities can ever connect on equal terms—all are explored here.
Directed by Karin Randoja, this Dora Award-winning production incorporates high- and low-tech augmented communication aids (devices used by non-verbal people to express themselves) as well as projected live video feeds to create a heightened naturalistic style. Anchored by outstanding performances, This is the Point is an eye-opening and occasionally disturbing but ultimately life-affirming experience.
Content note: Includes scenes depicting physical and sexual violence.
An adventure for performer and audience alike, Camille Boitel‘s raucous embodiment of the title character in this amazingly physical performance piece will have you laughing out loud one minute and staring in wonder the next. The premise is simple: Boitel wants to set up a table and chair, so he can face his audience. But in his skewed universe, nothing is simple. Everything—and we mean everything—goes horribly awry, as the acrobatic Boitel does existential battle with an ever-in creasing number of sawhorses determined to defeat him.
After starting as a funambulist in the circus, Boitel created the unforgettable character of L’Homme de Hus in 2002 as a man out-of-synch with himself who has a penchant for “disastrous and disastered” humour. His circus philosophy—“the insubordination of continuity, jubilation of imbalance, falling in love with vertigo…”—is an apt summary of the powerful, funny and poetic aspects of this amazing show.
Members of the Antwerp-based art collective BERLIN, together with journalist Cathy Blisson, spent five years filming Nadia and Pétro Opanassovitch Lubenoc, an elderly couple living deep within the irradiated Chernobyl exclusion zone in a place called Zvizdal. Alone, isolated—the nearest shop is 20 kilometres away—and convinced that they have grown immune to the radiation, the couple refuses to leave, despite the entreaties of officials, friends and family…
This deeply affecting documentary-installation inserts live shots of three miniature models of Nadia and Pétro’s homestead, while examining the couple’s lives in detail. The intimacy here is astonishing and very moving; it is clear that the artists and the couple formed a deep bond during their time together. What emerges in the work is a portrait of loneliness, survival, poverty, hope and unconditional love.
Keynote: Dawn Jani Birley
Knowledge is power, but sign language is my superpower…
For a long while, society has been promoting the idea of embracing diversity, being inclusive and respecting different needs; however, as a Deaf person whose native tongue is sign language, I face many different challenges and obstacles—both in my everyday life and as an an actor. One of my biggest ordeals was studying physical theatre in London; it was a Goliath I had to overcome on a daily basis, and I survived by using intersectionality as a tool. This experience became my motivation for using art as a platform to push for positive change. Prince Hamlet is one of several works I’ve undertaken with the aim of bringing together the worlds of signers and non-signers. —Dawn Jani Birley
Toronto Theatre Critics Award Winner for Best Actress in a Play 2017 for her role as Horatio in Prince Hamlet with Why Not Theatre and Canadian Cultural Society of the Deaf Person of the Year 2017, Dawn Jani Birley is a versatile actor spanning more than ten years of professional experience in theatre and film. Her passion is to show that Deaf and hearing folks can work together on the frontlines of bringing positive change to today’s world.
Presented with SFU Faculty of Communication, Art and Technology. Industry Series events are geared to performing arts industry professionals and practitioners whether they are artists, producers or presenters; emerging, mid-career or established. Industry Series events can be accessed with a PuSh Industry Pass or Industry Pack.